Both books pose pedagogical questions not merely for the future of a materialist film studies, but also for how one can account for the legacy of 1970s film theory in the present. Two recent books seek to reintroduce Marxist theory into the undergraduate film studies classroom. Review of Mike Wayne, Marxism Goes to the Movies and Anna Kornbluh, Marxist Film Theory and Fight Club. What ever happened to Marxist film theory?
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“Give us our bread and our roses”:Ī materialist trans feminist approach to media criticismīy analyzing the television series Pose as a commentary on the 1990 documentary Paris is Burning, this essay explores the long history of trans cultural production being read (incorrectly) as antagonistic to Marxist theory and argues that formal analysis reveals how trans cultural production can effectively interrogate how subcultures use parody and performance to critique dominant values. This essay revisits Long Seventies discussions about the Black Aesthetic in order to argue that Black Radical thinkers were not only engaged in fraught political and theoretical conversations about aesthetics but also undermining the unique commodity form that mass media creates: audiences. Mapping the confrontation between the National Welfare Rights Organization and the development of computer-based fraud auditing systems aimed at criminalizing working-class women, this article tracks how the state of California appealed to computation’s alleged transparency in order to dismantle welfare programs in the late 1960s and 70s.Īesthetics, markets, and the anti-audience of Black media Taking housing as a site of exploration for contemporary media studies, this essay explores how media participate in economies of dispossession but can also build toward their undoing through an examination of Newsreel's Rompiendo p uertas/ Break and Enter (1971).Įngineering counterinsurgency against the Welfare Rights Movement Residential autonomy: economies of dispossession and their undoing Rompiendo puertas/ Break and Enter (1971)
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This essay analyzes the interrelationships between the real and fictional locations of contemporary TV show sand considers how their producers have profited from the history and ongoing reality of racial capitalism where the shows were shot. This conversation with Métis filmmaker Conor McNally addresses the aesthetic and political insights about Indigenous resistance and settler colonial dispossession emanating from McNally's film ôtênaw.Ĭontemporary television and racial capitalism in place Grounded abstractions: an interview with Conor McNally It’s been almost 50 years since the devastating coup that ended Chile’s “democratic road to socialism.” This experiment in film criticism aims to re-enliven a classic socialist work about that historical experience for our now-times. Lessons from The Battle of Chile (1975-79) The Eighteenth Brumaire of Patricio Guzmán: The special section editors map the terrain of contemporary Marxist film and media studies and introduce the collection of essays that comprise the dossier. For a Marxist critique of media in the contemporary conjunctureīy Michael Litwack, Beth Capper, and Christopher Robé
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What seems painful for the users who have uploaded videos to the service in the past, is that they’re unable to download any of their edited videos.Introduction.
Since they’re pointing people to Flickr for their videos, and say in their FAQ that they made this decision in order to ‘focus resources on other Yahoo! sites’, we’re putting Jumpcut into the deadpool even though the site will remain accessible for the time being. In the beginning of November, Yahoo! closed live streaming service Y!Live.
We’re not sure how long this notice has been on the Jumpcut website, but it seems to be quite recent. If you’re looking for a place to upload and share your video, we recommend that you head over to Flickr: We will be keeping the Jumpcut site up and running for the foreseeable future so you‘ll still be able to play, remix and share your existing movies – you just won’t be able to upload anything new. We’re sorry to announce that we are no longer accepting uploads to Jumpcut. Online video editing service Jumpcut, which was acquired by Yahoo! in September 2006, appears to be in the process of shutting down.
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